Body, Breath & Sound

Created and taught by master voice teacher Adriana Hardy, these workshops offer an intensive exploration of the body mechanics of breath and sound, designed for all those who want to gain a better understanding of their own breath and vocal patterns, and well as how to evaluate and work with others. Ideal for performers (singers, actors, wind instrumentalists), performing arts educators, and movement/fitness professionals, this course provides specific tools for organizing the body for maximum breath efficiency and ease. See “Complimentary Curriculum” for more information.

BBS classes are held in the US, Germany, and Japan on a rotating basis.  If you are interested in hosting a BBS workshop in your area or country, please contact us at 


September 25 – 30 Private Lessons with Adriana, Portland, OR

September 27 – 29  BBS Training with Adriana, Portland, OR

September 29  The Somatics of Acoustics, a BBS Workshop, with Adriana, Portland, OR

October 4 – 6  BBS Training with Adriana,  Santa Fe, NM

The BBS workshops designed especially for those who want more information about the use and health of their voice and breath.  You will learn about the mechanics of breath and vocal production, with an emphasis on discovering and transforming your own misunderstandings and patterns of mis-use. 

Vocalists, speakers, singers are unique in many ways.  For one, they cannot actually see their instrument.  The most basic information – size, placement, direction of movements, relationship of the parts, and so on, is quite literally hidden from them.  No wonder there is often confusion around even the most fundamental facts of breath and vocal production.  How do you reliably use an instrument that you only know through feel and sound?  

Likewise, most musicians unpack their instrument, which has been safely protected in a case or environmentally-controlled room, and then play.  They would never dream of using their instrument for the most mundane of everyday activities – exposing it to weather, late nights, and long chats with friends.  It’s too special for that – it deserves respect and protection, as an instrument for making art.  Thus, when a musician opens their case, the instrument is essentially in fine form – performance ready for the demands of the technique and music.

But vocalists must use their instrument of artistry in their everyday lives and conditions.  And so, they must learn to respect and protect it in a different way – not tucking it into a special case, but understanding how to use it safely, in accordance with the innate design; even, and especially, in everyday life.  They must also learn the difference between the mundane vocal instrument and the artistic/professional instrument.  One cannot apply the rules of the mundane to the demands of the art form.  Vocalists must learn the fine distinctions between their ‘voice’ and their ‘instrument’, so that, like the case-protected instruments, they are applying the necessary technique and artistry to the finest instrument possible.

Participants will have opportunities for individual instruction.  You will not only identify the ways in which you interfere with yourself while singing/speaking/playing, you will receive specific tools for changing the interference.  You will also learn how to accomplish your technical goals without over-working your instrument; and how to resolve ongoing technical challenges.

BBS is compatible with all technical pedagogies – they help you understand the instrument upon which you apply technique.

BBS is ideal for both young artists who are currently building a foundational technique as well as those who are already enjoying professional careers.

Studying BBS is all about you – not your repertoire or auditions or career.  So consider taking some time to invest in you – your instrument – your being.   It is essential that you, as an artist, take care of your instrument, of your self. BBS workshops teach you how to do that.

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